Her thoughts turn to her sometimes abusive father with whom she lives, and to the prospect of freeing herself from her hard life juggling jobs as a shop worker and a nanny to support herself and her father. Eveline faces a difficult dilemma:
Eveline thinks about people she has known who have either left Ireland a priest who has traveled to Melbourne, for example or died her mother and her brother Ernestand of her own plans to leave the country with a man named Frank.
She recalls meeting Frank, an Irish sailor now living in Argentina, and dating him while he visited Dublin on vacation. Eveline also thinks about her father's disapproval of Frank, and of her promise "to keep the home together as long as she could" before her mother grew deranged and died.
Later, gripped by fear of the unknown and probably guilt as well, Eveline finds herself unable to board the ferry to England, where she and Frank are scheduled to meet a ship bound for South America. He leaves without her. Analysis Though short and easy to read, this story is devastating, possibly the most powerful in the book.
The other candidate for that honor would be "The Dead. She wants to leave Ireland, but she quite literally cannot move, speak, or even express emotion on her face. A crippled childhood friend called Little Keogh, whom Eveline recalls early in the story, perhaps foreshadows her own eventual paralysis.
Death pervades "Eveline" too: And of course, Eveline fears her own death: As usual, Joyce holds the Catholic Church and England accountable, albeit subtly. Though Eveline's father's cry of "Damned Italians! Note that Eveline's dockside paralysis is preceded by a prayer "to God to direct her, to show her what was her duty" — and that a bell like a church bell clangs "upon her heart" as Frank grasps her hand in vain at story's end.
Also, be aware that like contemporary airline passengers flying first to a hub airport before boarding planes for their final destinations, Irish travelers for South America at the turn of the twentieth century had to travel first by ferry to Liverpool, England.
Neighbors named the Waters have "gone back to England," but Eveline is incapable of straying even that far from home, much less across the Atlantic.
Thus, this is the third Dubliners story in a row about a failed quest. The Holy Grail of the boy in "An Encounter" was the Pigeon House, which he never reached; the main character in "Araby" sought the bazaar, closing down by the time he got there. Eveline seeks Argentina, a place where she hopes to avoid the very real threat of her father's violence as well as her dead mother's "life of commonplace sacrifices closing in final craziness.
She believes she has a right to happiness, too — that is, until she stands on the shore and confronts the reality of the journey on which she is about to embark. Then fear and guilt about abandoning her father and her younger siblings overwhelm her, and she stays rather than goes.
Though it is as old and dusty as her father's house "She looked round the room, reviewing all its familiar objects which she had dusted once a week for so many years, wondering where on earth all the dust came from"Dublin is at least familiar, and Eveline is a fearful young woman, obsessed with thoughts of wild Patagonians and remembered ghost stories.
She set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition.
Frank seems to have been her last, best chance. Glossary cretonne a heavy, unglazed, printed cotton or linen cloth; used for curtains, slipcovers, and so on.
Blessed Margaret Mary Alacoque —90 a French nun beatified in and canonized in Stores the shop where Eveline works. Characters throughout Dubliners refer to songs from this opera. Patagonians inhabitants of Patagonia, a dry, grassy region in south South America, east of the Andes including the south parts of Argentina and Chile ; thought to be nomadic and dangerous.“A hundred years on Dubliners has been absorbed into our literary landscape, but in the early part of the twentieth century it was the sort of book that hadn’t been seen much before, certainly from an Irish writer, and much of it shocked the conventional literary world[Joyce] was taking the lived landscape of his childhood and transforming it into something universal.
In James Joyce's short story "Eveline," the story opens with the title character and protagonist, Eveline, sitting at a window in her father's home, at dusk, watching dusk turn to evening.
Therefore, the window, the home, and the approaching evening all count as aspects of the setting. In the short story "Eveline", the author James Joyce, capture's symbolism, through Eveline's feelings of disparity of the life, she lives.
Symbolism in meaning appears very simple, yet, is very complex as it hides within a story, giving a story much deeper, richer meaning. As symbolism grabs the readers attention and keeps it until the very end. Eveline by James Joyce 26 Jun Dermot Changes, Dubliners, Stories of Ourselves Cite Post In Eveline by James Joyce we have the theme of memory, responsibility, decisions, conflict, escape, guilt, paralysis and letting go (or rather the inability to let go).
“Eveline” by James Joyce is a short story about a young woman who illustrates the pitfalls of holding onto the past when facing the future.
The short story is set in the early twentieth. Eveline’s story illustrates the pitfalls of holding onto the past when facing the future. Hers is the first portrait of a female in Dubliners, and it reflects the conflicting pull many women in early twentieth-century Dublin felt between a domestic life rooted in the past and the possibility of a new married life abroad.
One moment, Eveline feels happy to leave her hard life, yet at the next moment she worries about fulfilling .